I have finally figured out a way to do KING KONG, The Musical (The novel is in the Public Domain) that does not require a huge, animatronic puppet, but can be done on a small, human scale, that still captures the wonder and physical beauty of Skull Island and the excitement of the Empire State Building conclusion. I am an experienced musical theatre book writer and lyric writer - willing to share lyric writing, or just do book. This would be a show that medium and smaller theaters can do without needing a huge cast, and budget-breaking special effects. But you gotta love Kong -

I've written a play called "I'm Still Here" that I want to turn into a musical. The show is about an aging, but infamous Don Rickles-esque comedian named Eddy Wayne. He started out as a standup in the 70's and worked his way into primetime, winning Emmys and so many other awards for his hit sitcom, he was the king of Hollywood from the late 70's-early 90's. It's now 2020 and we're in the age of reboots, NBC wants a reboot of his sitcom, but something's off with him, but his restaurant owning wife, and college baseball star son don't seem to notice. The only one that does is his daughter, an artist, and the obvious older sister they don't pay attention too. He has dementia, and a rapid case at that, Eddy has to come to terms with his life and how he wants to leave it. The play explores them...

Looking for a book writer/lyricist or book writer to either work on your current ides, or some ideas and themes I have. Prefer more dramatic emotional themes regarding strength of human spirit, search for authenticity, and deeper values that can touch and serve the audience. I have a strong love of the more classical musical comedy (great melodies, harmony and lyrics) so hope to meet a more contemporary based writer to bring both our strengths together. Prefer substance over style, with the emphasis on a great story, further enhanced by the score. Can write in pop, r&b, jazz, and standard musical theater.

Does anyone out there know a FABULOUS actor (M or F) who might be interested in collaborating on a 1-act, one-person (~70-min.) play (working title: "Infinity") in which the character, who is some sort of university lecturer, gradually goes mad trying to explain/comprehend/ describe the concept of infinity to his/her "class" (i.e., the audience.)

Looking for a director for partially staged reading of musical in July 2020 in NYC that takes place in Nashville in 1989. This is a for-hire. Fee to be determined. Please send your resume and, if relevant, a note.